Slow News Month

I don’t wish to discourage my vast and fanatical army of readers, but updates will continue to be sporadic for the next week or two as preoccupations not having to do with public broadcasting rudely intrude. (Much like the Chinese population, if you line up all Airbag Moments readers four abreast and march them into the ocean they would never stop. For the Chinese this is because their reproduction rate would more than make up for the activity. Airbag Moments readers are simply contrary and would refuse the command.)

I have no doubt my stalwart cadre of co-contributors will fill in for me, but I apologize in advance if their non-existence prevents them from doing so.

A couple of tidbits to recommend if you missed today’s Morning Edition.

I sometimes find the “Storycorps” segments to be mawkish or depressing, but this morning’s was really wonderful. If it doesn’t melt your heart you must be Ann Coulter. (I told you stop reading my blog, Ann! Does the phrase “restraining order” mean anything to you?) It throws into high relief the difference between the New Testament/Liberal approach to crime and punishment and the Old Testament approach favored by the c.i.n.o.s (Christians In Name Only) on the right. It’s such a perfect parable that it’s hard to believe it’s true.

Also notable was a quirky story about the US government rushing to patent the atomic bomb during the Manhattan project.

The World: Back of the bus

PRI’s The World is a heroically consistent “eat your broccoli” public radio show. Though not often gripping, they are one of the few sources of good, frequent global reporting in American media – especially important given our current president’s alarming New Yorker-cover-ish view of the globe. Let your local public radio station know they should subscribe to this show.

So far today’s most entertaining/shocking story on public radio is one The World presented on fundamentalist Israeli Jewish women self segregating on buses. Wow, just…wow. Orthodox Jewish burkas. Way to be!

Memo to Middle-Eastern countries: try not to make it look too much like you all deserve each other.

Find and listen to the report on this page.

Aside from The World’s parchingly dry style, the only other complaint I have about the show is the time it wastes on aggressively obtuse world music coverage at the end of each episode. The more incongruously hybridized a musical group is, the more eager The World is to provide them with publicity.

Then again I do loves me some Tutsi/Cambodian trance-ragtime played on found antique Inuit toy instruments by Chechen octogenarians.

All too common sense (Episode I)

(Note: I’ve noticed that 90% of people arrive here from an internet search on “common sense questions“. Unless you happen to be a public radio listener or have an ear for language you aren’t going to find what you’re looking for here. Common sense is getting harder and harder to find anywhere and I wish you luck.)

Now back to the post:

The Behavior

The most constant irritant that assaults my delicate sensibilities is, by many light years, the minute-to-minute over employment of the word “sense” by virtually all Public Radio hosts when they ask questions.

Next time you turn on the radio keep your ear out for it. It will astonish you just how often hosts undermine their questions by starting them with some variation of “sense.”

Some all-too-common examples of this rotten preamble:

  • Give us a sense of…
  • Is there a sense there that…
  • What’s the sense of …

The host of “Here and Now” once asked a guest “Give us a sense of your mother’s sense of…”

A couple of weeks ago on “Day to Day” a host asked an interviewee if she could “see a sense” of something.

Those last two aren’t even really parseable, but I guess they sound like they have some meaning since people actually answer them. What’s the proper response to the question “do you see a sense?” And by the time you are asking for a mere sense of a sense what do you really have? Something so vague that it seems hardly worth the electricity required to broadcast it across this great country of ours.

Which brings me to the sort of 7th grade English teacher point: almost any question is weakened by asking it using the “sense” form. Using “sense” implies that you expect a nonspecific answer. I’ve never heard a host ask “Can you give a blurry, poorly thought out, partly inaccurate report about…” But that is, in essence, what they are asking. It insults both the interviewee and the listener. If the interviewee is only capable of giving a sense then maybe the show needs to find someone with better information.

Can’t you just hear the proverbial blind men trying to figure out the elephant asking each other what their senses of it are?

Fixing it

Just stop using it. Almost any question you can ask weakly with sense you can ask more forcefully by just dropping it. “Give us a sense of the anxiety there about the housing slump?” can easily be converted to “Is there anxiety about the housing slump there?” Plus, with just a little more work, they could choose to select from the host of more specific words available to the journeyman interrogator. A modest list: hypothesis, feeling, assessment, reaction, impression, appraisal, estimation, evaluation, judgment.

Where does this come from?

This meme infests every show on Public Radio with the possible exception of “On the Media”, but I’m not totally sure why.

I do have a few theories.

1. Maybe it’s only a bad habit. Teenagers sprinkle their speech with enough “you know”s and “like”s to drive the average grandparent to drink. They clearly get it from each other. Probably some prominent NPR host started the habit and the rest just unconsciously adopted it. Maybe they need to have a “sense” jar where they must deposit a quarter every time they use the word. A penny would make more “cents” but I don’t think it’s enough punishment. (OMG, I really apologize for what I just wrote – but not enough to delete it. Yet.)

2. Maybe it’s a post-modern capitulation to the elusiveness of fact. The problem is that a basic mistrust of certainty, a very good trait in anyone, especially a journalist, when taken too far leads to susceptibility to spin, which is fatal to good reporting. If someone expresses an idea with enough confidence a reporter might just believe the tone rather than the substance, due to their own bare cupboard of trusted knowledge. That’s how we ended up at war with Iraq. The neocons seemed so all-fired confident with their “we make reality” stuff that the reporters and a lot of Americans just went with it.

3. Maybe it’s simply too much time in the studio. Recently I got to thinking about radio recording studios. They are a bit like sensory deprivation tanks – usually no windows to the outside world, dark, silent except for what comes in through the earphones. Maybe the isolation someone in such a room feels inspires them to reach out for more senses from those outside somewhere.

That last thought makes me a little sad for them.

I’d really love it if a genuine Public Radio broadcaster would give me an answer about whether or not this use of sense is automatic or volitional. Maybe they could even give me a sense of why they think they do it.

I will make note of especially clumsy or compulsively repetitious uses of sense on various shows as this blog progresses.

Welcome – Mission Statement

Don’t get me wrong, I love Public Radio, NPR especially. My life would be far less enjoyable without it.But nobody’s perfect.

Public broadcasting in general and public radio in particular are the last bastions of content inoculated from the ever-lower lowest common denominator free market. As a result it shall be held to higher standards than the mass-media money honeys, squawking heads, and priests of celebrity worship.

Public radio has the most easily annoyed, persnickety, proudly upper-middlebrow listeners in the world, and I think I’m 99th percentile in all of those categories. So who better to start a blog solely for the purpose of bringing to light public radio’s broadcasting practices which range from great to silly to tone deaf to unprofessional/irresponsible?

For the purpose of selling recycled reports on CD, NPR touts its “Driveway Moments“, which they refer to as times when “rather than turn the radio off, you stay in your car to hear the piece to the end.”

For the purposes of this blog, I’d like to expand the in-car listening imagery by introducing the concept of “Airbag moments“. Those are the times when someone on Public Radio says something so ridiculous that your airbag is suddenly deployed when you slam your head on the steering wheel as you rant at the radio.

So I invite all you NPRs (Nerdy Peevish Radicals) to join me in ranting about a few of your least favorite things.

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